THE POLITICAL NOVELS OF R. K. NARAYANA: REFLECTIONS ON POSTCOLONIAL CONTEXTS

Abstract

R.K. Narayan stands out as one of the prominent authors in Indian English literature. His themes and style set him apart from his contemporaries, such as Raja Rao and Mulkraj Anand. Unlike Raja Rao, who engages deeply in philosophical inquiries, and Mulkraj Anand, who is rooted in Marxist ideology, Narayan is more of an artist focused on the experiences of everyday life and family dynamics. In his novels, he adeptly weaves together contrasting elements, blending romance with realism, materialism with spirituality, avarice with detachment, mischief with virtue, and the rural with the urban. This mixture illustrates a balance between instructive and aesthetic values, aiming to both educate and entertain. His connection to Indian cultural essence, paired with his engagement with Western language and civilization, enables him to express the interplay between Eastern and Western experiences skilfully. Narayan's approach to English and its literature reflects his attempt to merge Indian sensibilities with colonial perspectives. However, like many colonial and post-colonial authors, he does not overtly critique the colonial system; instead, subtle critiques and irony can be found scattered through his works. The effects of colonialism emerge in his characters, who sometimes confront it or adapt to it, occasionally employing English customs that serve their needs. In his narratives, both colonizers and the colonized coexist, often finding mutual benefits. 

  It is quite remarkable that such a significant topic has not garnered the in-depth critical analysis it warrants. No comprehensive study exists examining Narayan's novels through a post-colonial lens. Some critics have attempted to explore his work from this perspective, but their analyses lack the depth required for thorough research. It appears that modern critics have become so engrossed in the works of post-colonial authors that they overlook the necessity of addressing R.K. Narayan's novels within a post-colonial theoretical context. 

  R.K. Narayan, celebrated as a master of humour in Indo-Anglican literature, shows little interest in political matters. Similar to Jane Austen, his strength lies in highlighting the peculiar behaviours and attitudes of ordinary people. Nevertheless, he has produced a novel that examines the political landscape of India's struggle for independence through a humorous lens.